Reine FotografieDiese Kamera ist anders. Sie verwandelt Vorfreude in Wirklichkeit.
Die besondere Beschaffenheit von Titan regt die Sinne an, während der einzigartige Sucher zu Erkundungen und Kreativität verführt.
Gleichzeitig weckt die X-Pro3 den Wunsch, mit der Welt durch eine Linse zu interagieren, während Sie lernen, alles für die Ewigkeit festzuhalten. Die X-Pro3 ist die Definition für reine Fotografie.
FUJIFILM X-Pro3 mit robustem TitangehäuseDie X-Serie war von Anfang an darauf bedacht, die Eleganz, Schönheit und Funktionalität einer Kamera zu bewahren und gleichzeitig die Geschichte der Fotografie zu respektieren. Sobald Sie diese Kamera in Händen halten, werden Sie es spüren und das Gefühl von Nostalgie geniessen. Der einzigartige Charakter des Titan-Gehäuses geht nie verloren. Sie werden schnell erkennen, dass eine Kamera viel mehr ist als nur ein Werkzeug zur Fotografie.
BLACKDas luxuriöse schwarze Gehäuse ist seit 2011 das traditionelle Finish der X-Pro-Serie. Das schlanke Erscheinungsbild zeigt das Potenzial der Kamera. Die Kombination aus Titan und der lackierten Oberfläche lässt die Kamera noch attraktiver werden und unterstreicht ihren robusten und zurückhaltenden Stil.
Die Kamera ist mit einer speziellen Duratect-Beschichtung versehen, die sie vor Kratzern schützt und die schöne und einzigartige Textur des Titangehäuses bewahrt. Ihre geliebte Kamera wird also niemals ihr prestigeträchtiges Erscheinungsbild verlieren.
Die Farbe DR Black ist eine Kombination aus blanker Titantextur und dunklem Finish, die einen einzigartigen Look mit einer überragenden Ausstrahlung erzeugt. Diese Kombination verleiht der Kamera eine noch nie dagewesene Eleganz.
DR Silber behält die natürliche Titanfarbe bei und zeigt den schönen Kontrast aus Lichtern und Schatten in Harmonie mit dem eleganten Design der Kamera. Die Verwendung von Duratect™ bewahrt das Finish für immer.
DURATECT ist eine Marke oder eingetragene Marke von Citizen Watch Co., Ltd.
Das versteckte LC-Display unterstützt einen traditionelleren Aufnahmestil und fordert die Fotografen auf, sich auf die Arbeit mit dem Sucher zu konzentrieren. Selbstverständlich lässt sich der Bildschirm aufklappen, um die Bilder zwischen den Aufnahmen zu überprüfen. Die X-Pro3 möchte Sie aber darin bestärken, Ihrem Instinkt als Fotograf zu vertrauen – ohne Ablenkung durch ständiges Überprüfen der Bilder. Auf dem Bildschirm können Sie die Einstellungen anpassen und sehen, was verbessert werden muss. So sind Sie bereit für das nächste Mal.
Der LCD-Bildschirm verfügt über eine Anti-Reflexbeschichtung, einen weiten Sichtwinkel und kann Bilder mit hohem Kontrast und natürlichen Farben anzeigen – ideal zum Überprüfen oder Zusammenstellen von Bildern bei hellem Tageslicht oder schlechten Lichtverhältnissen.
Die filmbasierten, visuellen Effekte wecken Emotionen beim Nutzer und regen die Fantasie an. Durch die Verwendung des LCD-Speichers können Nutzer die Einstellungen für Filmsimulation, Weissabgleich etc. problemlos anzeigen lassen, unabhängig davon, ob die Kamera aus- oder eingeschaltet ist.
Dank des X-Pro3-Designs behalten Sie das Motiv immer im Blick, während Ihre Finger die verschiedenen Tasten und Knöpfe bequem erreichen. So verpassen Sie nie eine perfekte Fotomöglichkeit.
Das ist das ultimative Design für die Verwendung einer analogen Kamerabedienung.
Die Bewertungsfunktion ist wichtig, um aus Tausenden von aufgenommenen Bildern die besten herauszufiltern. Ebenfalls wurde so die Kombinierbarkeit mit der Fotoverwaltungssoftware verbessert.
Die X-Pro3 verfügt über einen USB-Typ-C-Anschluss. Die neueste Schnittstelle ermöglicht das intelligente Laden oder Übertragen von Informationen von Ihrer Kamera.
Die Weiterentwicklung der Digitalkameras verschiebt die Grenzen des Machbaren bei schlechten Lichtverhältnissen. Die X-Pro3 verfügt über einen AF bis zu -6 EV und ermöglicht Aufnahmen in Situationen, die bisher als «stockfinster» galten.
Die Kamera kann bis zu 9 Bilder in den Modi «Additiv», «Durchschnitt», «Hell» oder «Dunkel» zusammenführen und Bilder aus mehreren Blickwinkeln oder zu verschiedenen Zeiten zu einem einzigen Bild kombinieren. Sie können auf jedes Bild verschiedene Filmsimulationen anwenden und Farbfragmente in Schwarzweissbilder einfügen, um eine mehrschichtige Collage zu erstellen.
Die X-Pro3 kann Bilder kombinieren, um den Dynamikbereich (DR) zu erweitern. Es ist ein leistungsstarkes Werkzeug, das den natürlich vorkommenden grösseren Dynamikbereich fotografisch reproduziert und dennoch einen neuen HDR-Typ mit gleichmässiger Tonalität und schönen Farben erzeugen kann.
FUJIFILM hat sich seit der Produktion und Entwicklung fotografischer Filme im Jahr 1934 durchgehend mit Farben befasst. Die im Laufe der Jahre gesammelten Technologien und Erfahrungen wurden in die Filmsimulationsmodi eingespeist. Jeder der sorgfältig ausgewählten Modi verfügt über eine Reihe von Farben und Farbtönen, welche Bilder hervorbringen, die das Gefühl des Fotografen während der Aufnahme widerspiegeln. Die Welt der erweiterten Farben wie CLASSIC CHROME, ACROS und ETERNA wird jetzt durch einen weiteren neuen Modus der Filmsimulation ergänzt.
Der neue Filmsimulationsmodus wurde entwickelt, um Farbnegativfilme zu simulieren, die traditionell für Schnappschüsse alltäglicher Szenen ausgewählt wurden. Die Farben, die für jede Helligkeitsstufe präzise definiert werden, sorgen für einen satten Farbkontrast und scharfe Konturen. Das neue «CLASSIC Neg.» bringt Sie zurück zu Szenen, wie Sie sie wahrscheinlich aus Ihrer Jugend kennen – Spüren Sie die Freude an reiner Fotografie!
| Model name | FUJIFILM X-Pro3 |
| Number of effective pixels | 26.1 millions pixels |
| Image sensor | 23.5mm×15.6mm (APS-C) X-Trans CMOS 4 with primary color filter. |
| Sensor Cleaning system | Ultra Sonic Vibration |
| Storage media | SD memory card (~2GB) / SDHC memory card (~32GB) / SDXC memory card (~512GB) UHS-I / UHS-II / Video Speed Class V30 *1SD memory card (~2GB) / SDHC memory card (~32GB) / SDXC memory card (~512GB) UHS-I / UHS-II / Video Speed Class V30 *1SD memory card (~2GB) / SDHC memory card (~32GB) / SDXC memory card (~512GB) UHS-I / UHS-II / Video Speed Class V30 *1 |
| File format of still image | JPEG: Exif Ver.2.3*2, RAW: 14bit RAW (RAF original format) / RAW+JPEGJPEG: Exif Ver.2.3*2, RAW: 14bit RAW (RAF original format) / RAW+JPEGJPEG: Exif Ver.2.3*2, RAW: 14bit RAW (RAF original format) / RAW+JPEG |
| Number of recorded pixels | ［L］〈3:2〉 6240 × 4160 〈16:9〉 6240 × 3512 〈1:1〉 4160 × 4160 ［M］〈3:2〉 4416 × 2944 〈16:9〉 4416 × 2488 〈1:1〉 2944 × 2944 ［S］〈3:2〉 3120 × 2080 〈16:9〉 3120 × 1760 〈1:1〉 2080 × 2080［L］〈3:2〉 6240 × 4160 〈16:9〉 6240 × 3512 〈1:1〉 4160 × 4160 ［M］〈3:2〉 4416 × 2944 〈16:9〉 4416 × 2488 〈1:1〉 2944 × 2944 ［S］〈3:2〉 3120 × 2080 〈16:9〉 3120 × 1760 〈1:1〉 2080 × 2080［L］〈3:2〉 6240 × 4160 〈16:9〉 6240 × 3512 〈1:1〉 4160 × 4160 ［M］〈3:2〉 4416 × 2944 〈16:9〉 4416 × 2488 〈1:1〉 2944 × 2944 ［S］〈3:2〉 3120 × 2080 〈16:9〉 3120 × 1760 〈1:1〉 2080 × 2080 |
| Lens mount | FUJIFILM X mount |
| Sensitivity | Standard output: AUTO1 / AUTO2 / AUTO3 / ISO160~12800 (1/3 step) Extendes output: ISO80／100／125／25600／51200Standard output: AUTO1 / AUTO2 / AUTO3 / ISO160~12800 (1/3 step) Extendes output: ISO80／100／125／25600／51200Standard output: AUTO1 / AUTO2 / AUTO3 / ISO160~12800 (1/3 step) Extendes output: ISO80／100／125／25600／51200 |
| Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) |
| Exposure compensation | -5.0EV~+5.0EV 1/3EV step (Movie: -2.0EV~+2.0EV) |
| Shutter type | Focal Plane Shutter |
| Shutter speed | Mechanical Shutter: P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min. Electronic Shutter*3: P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed Electronic front curtain shutter: P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min. Mechanical + Electronic shutter: P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. E-front + Mechanical shutter: P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min. *Electronic front curtain shutter works until 1/2000sec. E-front + Mechanical + Electronic shutter: P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. Synchronized shutter speed for flash: 1/250sec. or slowerMechanical Shutter: P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min. Electronic Shutter*3: P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed Electronic front curtain shutter: P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min. Mechanical + Electronic shutter: P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. E-front + Mechanical shutter: P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min. *Electronic front curtain shutter works until 1/2000sec. E-front + Mechanical + Electronic shutter: P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. Synchronized shutter speed for flash: 1/250sec. or slowerMechanical Shutter: P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min. Electronic Shutter*3: P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed Electronic front curtain shutter: P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min. Mechanical + Electronic shutter: P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. E-front + Mechanical shutter: P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min. *Electronic front curtain shutter works until 1/2000sec. E-front + Mechanical + Electronic shutter: P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. Synchronized shutter speed for flash: 1/250sec. or slower |
| Continuous shooting | Approx. 11fps (JPEG: 145 frames Lossless compression RAW: 42 frames Uncompressed RAW: 36 frames) Approx. 8.0fps (JPEG: 200 frames Lossless compression RAW: 46 frames Uncompressed RAW: 39 frames) Approx. 5.7fps (JPEG: endless Lossless Compression RAW: 62 frames Uncompressed RAW: 43 frames) Approx. 5.0fps (JPEG: endless Lossless compression RAW: 79 frames Uncompressed RAW: 46 frames) Approx. 4.0fps (JPEG: endless Lossless compression RAW: 134 frames Uncompressed RAW: 53 frames) Approx. 3.0fps (JPEG: endless Lossless Compression RAW: endless Uncompressed RAW: 71 frames) Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 60 frames Lossless compression RAW： 35 frames Uncompressed RAW： 33 frames) Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 114 frames Lossless compression RAW： 37 frames Uncompressed RAW： 34 frames) Approx. 20fps [Only electronic shutter ] (JPEG: 79 frames Lossless compression RAW: 36 frames Uncompressed RAW: 34 frames) Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 500 frames Lossless compression RAW： 48 frames Uncompressed RAW： 39 frames) Approx. 10fps [Only electronic shutter ] (JPEG: 164 frames Lossless compression RAW: 44 frames Uncompressed RAW: 37 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting framesApprox. 11fps (JPEG: 145 frames Lossless compression RAW: 42 frames Uncompressed RAW: 36 frames) Approx. 8.0fps (JPEG: 200 frames Lossless compression RAW: 46 frames Uncompressed RAW: 39 frames) Approx. 5.7fps (JPEG: endless Lossless Compression RAW: 62 frames Uncompressed RAW: 43 frames) Approx. 5.0fps (JPEG: endless Lossless compression RAW: 79 frames Uncompressed RAW: 46 frames) Approx. 4.0fps (JPEG: endless Lossless compression RAW: 134 frames Uncompressed RAW: 53 frames) Approx. 3.0fps (JPEG: endless Lossless Compression RAW: endless Uncompressed RAW: 71 frames) Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 60 frames Lossless compression RAW： 35 frames Uncompressed RAW： 33 frames) Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 114 frames Lossless compression RAW： 37 frames Uncompressed RAW： 34 frames) Approx. 20fps [Only electronic shutter ] (JPEG: 79 frames Lossless compression RAW: 36 frames Uncompressed RAW: 34 frames) Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 500 frames Lossless compression RAW： 48 frames Uncompressed RAW： 39 frames) Approx. 10fps [Only electronic shutter ] (JPEG: 164 frames Lossless compression RAW: 44 frames Uncompressed RAW: 37 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting framesApprox. 11fps (JPEG: 145 frames Lossless compression RAW: 42 frames Uncompressed RAW: 36 frames) Approx. 8.0fps (JPEG: 200 frames Lossless compression RAW: 46 frames Uncompressed RAW: 39 frames) Approx. 5.7fps (JPEG: endless Lossless Compression RAW: 62 frames Uncompressed RAW: 43 frames) Approx. 5.0fps (JPEG: endless Lossless compression RAW: 79 frames Uncompressed RAW: 46 frames) Approx. 4.0fps (JPEG: endless Lossless compression RAW: 134 frames Uncompressed RAW: 53 frames) Approx. 3.0fps (JPEG: endless Lossless Compression RAW: endless Uncompressed RAW: 71 frames) Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 60 frames Lossless compression RAW： 35 frames Uncompressed RAW： 33 frames) Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 114 frames Lossless compression RAW： 37 frames Uncompressed RAW： 34 frames) Approx. 20fps [Only electronic shutter ] (JPEG: 79 frames Lossless compression RAW: 36 frames Uncompressed RAW: 34 frames) Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 500 frames Lossless compression RAW： 48 frames Uncompressed RAW： 39 frames) Approx. 10fps [Only electronic shutter ] (JPEG: 164 frames Lossless compression RAW: 44 frames Uncompressed RAW: 37 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
| Auto bracketing | AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: by 1/3EV step, up to ±3EV steps) Filmsimulation bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%) ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3) Focus Bracketing (AUTO, MANUAL)AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: by 1/3EV step, up to ±3EV steps) Filmsimulation bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%) ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3) Focus Bracketing (AUTO, MANUAL)AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: by 1/3EV step, up to ±3EV steps) Filmsimulation bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%) ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3) Focus Bracketing (AUTO, MANUAL) |
| Focus | Mode: Single AF / Continuous AF / MF Type: Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) Low-light Performance: Contrast: -3.0EV Phase Detection: -6.0EV (XF35mmF1.4 attached) AF frame selection: Single point AF: EVF / LCD: 13×9 / 25×17 (Changeable size of AF frame) Zone AF: 3×3 / 5×5 / 7×7 from 91 areas on 13×9 grid Wide/Tracking AF: (up to 18 area) *AF-S: Wide / AF-C: Tracking AllMode: Single AF / Continuous AF / MF Type: Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) Low-light Performance: Contrast: -3.0EV Phase Detection: -6.0EV (XF35mmF1.4 attached) AF frame selection: Single point AF: EVF / LCD: 13×9 / 25×17 (Changeable size of AF frame) Zone AF: 3×3 / 5×5 / 7×7 from 91 areas on 13×9 grid Wide/Tracking AF: (up to 18 area) *AF-S: Wide / AF-C: Tracking All |
| White balance | Automatic Scene recognition / Custom1~3 / Color temperature selection (2500K~10000K) / Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, UnderwaterAutomatic Scene recognition / Custom1~3 / Color temperature selection (2500K~10000K) / Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater |
| Self-timer | 10sec. / 2sec. |
| Interval timer shooting | Yes (Setting: Interval, Number of shots, Starting time) |
| Flash modes | MODE: TTL MODE (Flash Auto, Standard, Slow Sync.), Manual, Multi, OFF SYNC. MODE: 1st Curtain, 2nd Curtain, AUTO FP (high-speed sync) RED EYE REMOVAL: FLASH + REMOVAL, FLASH, REMOVAL, OFFMODE: TTL MODE (Flash Auto, Standard, Slow Sync.), Manual, Multi, OFF SYNC. MODE: 1st Curtain, 2nd Curtain, AUTO FP (high-speed sync) RED EYE REMOVAL: FLASH + REMOVAL, FLASH, REMOVAL, OFF |
| Hot shoe | Yes (Dedicated TTL Flash compatible) |
| Viewfinder | OVF: Reverse Galilean viewfinder with electronic bright frame display Coverage of frame area v.s. capturing area: approx. 95% Magnifications approx x0.52 EVF: 0.5 inch approx. 3.69 millions dots OLED Color Viewfinder (4:3) Coverage of viewing area vs. capturing area: approx. 100% Eyepoint: approx. 16.8mm (from the eyepiece lens) Diopter adjustment: -4~+2m-1 Magnification: 0.66× with 50mm lens (35mm equivalent) at infinity and diopter set to -1m-1 Diagonal angle of view: approx. 32° (Horizontal angle of view: approx. 27° ) Built-in eye sensorOVF: Reverse Galilean viewfinder with electronic bright frame display Coverage of frame area v.s. capturing area: approx. 95% Magnifications approx x0.52 EVF: 0.5 inch approx. 3.69 millions dots OLED Color Viewfinder (4:3) Coverage of viewing area vs. capturing area: approx. 100% Eyepoint: approx. 16.8mm (from the eyepiece lens) Diopter adjustment: -4~+2m-1 Magnification: 0.66× with 50mm lens (35mm equivalent) at infinity and diopter set to -1m-1 Diagonal angle of view: approx. 32° (Horizontal angle of view: approx. 27° ) Built-in eye sensor |
| LCD monitor | 3.0 inch, aspect ratio 3:2, approx. 180 degree tilting 1.62 millions dots touch screen color LCD monitor(approx. 100% coverage) |
| Sub monitor | 1.28 inch, aspect ration 1:1, Color Memory LCD |
| Movie recording | File format: MOV, Compression: MPEG-4 AVC/H.264 Audio: Linear PCM / Stereo sound 2ch / 24bit / 48KHz sampling) File size: ［DCI 4K（4096×2160）］ 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 15min Frame rate: ［4K（3840×2160）］ 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 15min Recording time: ［Full HD（2048 ×1080）］ 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 59min. ［Full HD（1920×1080）］ 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 59min. ［Full HD（1920×1080) High speed rec.] 120p／100p 200Mbps(recording) up to approx. 6min. *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *Although movie recording will continue without interruption when the file size reaches 4GB, subsequent footage will be recorded to a separate file which must be viewed separately.File format: MOV, Compression: MPEG-4 AVC/H.264 Audio: Linear PCM / Stereo sound 2ch / 24bit / 48KHz sampling) File size: ［DCI 4K（4096×2160）］ 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 15min Frame rate: ［4K（3840×2160）］ 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 15min Recording time: ［Full HD（2048 ×1080）］ 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 59min. ［Full HD（1920×1080）］ 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 59min. ［Full HD（1920×1080) High speed rec.] 120p／100p 200Mbps(recording) up to approx. 6min. *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *Although movie recording will continue without interruption when the file size reaches 4GB, subsequent footage will be recorded to a separate file which must be viewed separately. |
| Film simulation mode | 17 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black & White, Black & White+Ye Filter, Black & White+R Filter, Black & White+G Filter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, ETERNA/Cinema, Classic Neg) Monochromatic Color17 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black & White, Black & White+Ye Filter, Black & White+R Filter, Black & White+G Filter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, ETERNA/Cinema, Classic Neg) Monochromatic Color |
| Clarity setting | ±5 steps |
| HDR mode | AUTO, 200%, 400%, 800%, PLUS |
| Grain effect | Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL |
| Color chrome effect | STRONG, WEAK, OFF |
| Color chrome Blue | STRONG, WEAK, OFF |
| Dynamic range setting | Still: AUTO, 100%, 200%, 400% ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more) Movie: 100%, 200%, 400% ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more) |
| Advanced filter | Toy camera, Miniature, Pop color, High-key, Low-key, Dynamic tone, Soft focus, Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
| Wireless transmitter | Standard: IEEE802.11b/g/n (standard wireless protocol) Encryption: WEP / WPA / WPA2 mixed mode Access mode: Infrastructure |
| Bluetooth® | Standard: Bluetooth Ver 4.2 (Bluetooth low energy) Operating frequency (Center frequency): 2402 - 2480MHz |
| Terminal | Digital interface: USB Type-C (USB3.1 Gen1) HDMI output: - Other: Microphone / shutter release input: ø2.5mm, Hot shoe |
| Power supply | NP-W126S Li-ion battery (included) Battery life for still images*4: Approx. 370 / 440 frames (EVF / OVF Normal Mode) When XF35mmF1.4 R is set. Actual battery life of movie capture*4: [4K] approx. 45min. (29.97p) *Face detection is set to OFF: [Full HD] approx. 45min. (59.94p) Continuance battery life of movie capture*4: [4K] approx. 60min. (29.97p) *Face detection is set to OFF: [Full HD] approx. 75min. (59.94p) |
| Dimensions | (W) 140.5mm × (H) 82.8mm × (D) 46.1mm / (W) 5.5in × (H) 3.3in × (D) 1.8in (minimum depth 34.8mm/1.4in) |
| Weight | Approx. 497g / 17.5oz (including battery and SD memory card) Approx. 447g / 15.8oz (excluding battery and SD memory card) |
| Operation Environment |
Operating Temperature: -10°C~+40°C / 32°F~104°F Operating Humidity: 10%~80% (no condensation) |
| Starting up period | Approx. 0.4sec. |
| Accessories included | Li-ion battery NP-W126S, Shoulder strap, Body cap, Strap clip, Protective cover, Clip attaching tool, Hot shoe cover, Wiping cloth, USB cable (type A to C) |
| *1 Please see the Fujifilm website to check SD memory card compatibility. *2 Exif 2.3 is a digital camera file format that contains a variety of shooting information for optimal printing. *3 The Electronic Shutter may not be suitable for fast-moving objects. Flash can not be used. *4 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. |
